Franz Marc was a male painter of German nationality, whose style was mainly Expressionism. Further, the alignment is portrait with a ratio of 3 : 4, which implies that the length is 25% shorter than the width. The creditline of the artpiece is the following: Städtische Galerie im Lenbachhaus und Kunstbau München. With courtesy of: Franz Marc, Blaues Pferd I, 1911, Oil On Canvas, 112 cm x 84,5 cm, Städtische Galerie im Lenbachhaus und Kunstbau München, (public domain license). Today, the artpiece belongs to the Städtische Galerie im Lenbachhaus und Kunstbau München's art collection located in Munich, Bavaria, Germany. Undesignated is the painting's original inscription. Oil on canvas was applied by the German artist as the medium of the artwork. The original version had the size: 112 cm x 84,5 cm. By contrast, in the center of the image Marc places a blue deer, a symbol of hope amidst the chaos that swirls all around it.Blue horse i is a masterpiece by the German painter Franz Marc in 1911. In his apocalyptic scene The Fate of the Animals, 1913, Marc paints a shattered vision of the world, broken into kaleidoscopic shards as desperate animals twist this way and that in a bid for survival. Over time Franz Marc’s paintings became increasingly animated, agitated and abstract, reflecting the uncertain times in which he was living, particularly as the threat of war reared its ugly head on the horizon. ![]() He Highlighted the Anxieties of the Modern Age The Fate of the Animals, by Franz Marc, 1913 ![]() He wrote, “I seek pantheist empathy with the vibration and flow of the blood of nature – in the trees, in the animals, in the air… I see no happier medium for the ‘Animalization’ of art, as I would like to call it, than the animal picture.”ĥ. Marc believed strongly in the importance of unity between people, animals and nature, and his art expressed his desire to hold on to this status within the world, rather than giving in to the destructive potential of the modern machine age. Franz Marc Expresses a Pantheistic Vision of Life Deer in the Forest, by Franz Marc, 1913 Animals Signified Freedom and the Spiritual World The Large Blue Horses by Franz Marc, 1911, via the Walker Art Center, MinneapolisĤ. He deliberately painted animals in a multi-faceted, abstract way, so that they break apart and merge into one with the wilderness all around them.ģ. For Marc, animals symbolized a pre-industrial age of innocence, when people lived in close harmony with the land. He Used Animals to Symbolize an Age of Innocence Dog Lying in the Snow by Franz Marc, 1911, Städelscher Museums-Vereinįranz Marc was one of a generation of artists who were deeply critical of industrialization, and the knock-on effects it would come to have on the natural world. Thus, the cow unifies both the masculine and feminine forces at play in their marriage.Ģ. Marc saw the color yellow as a feminine force, and blue as a masculine hue. ![]() For example, in the painting The Yellow Cow, 1911, Marc paints a yellow cow with blue spots as a symbol of his happy union with Maria Franck, his second wife who he had just recently married. When painting animals in unusual or unexpected colors, such as blue horses or yellow cows, he translated animal forms into otherworldly, abstract metaphors, with bright colors signifying different states of mind. In many of his paintings, Franz Marc explored how animals could become potent symbols for human experiences and emotions. Franz Marc Was Expressing a Personal Mythology The Yellow Cow, by Franz Marc, 1911
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